Ebook Free Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation
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Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation
Ebook Free Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation
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Review
"Francis Glebas has put together a really comprehensive and thought-provoking look at the art and craft of film making, specifically directing. His approach, which is to ask a lot of seemingly innocent questions, has much the same effect as the good storytelling he is trying to teach us.it draws us in and makes us think. I can't imagine anyone, in or out of our business, who won't find any number of helpful ideas as they work their way through the filmmaking jungles!!"--Roy Disney, Director Emeritus and consultant for The Walt Disney Company "Francis Glebas was one of our most talented storyboard artists at Disney, and it was our great fortune to have him on the story team. He has a wealth of experience to share."--Jeffrey Katzenberg, CEO, Dreamworks Animation "A veritable bible of visual storytelling techniques and advice. Loaded with pictures, the book is set up like a storyboard for the material she wants to convey. Covering everything from why we watch movies to the most effective ways to build and maintain drama, she teaches how to keep your audience riveted to the screen. And if you're worried that you may not have the drawing chops to create good storyboards, don't worry - she's on it. Even if you can't draw a straight line, she teaches how to use whatever you've got, the barest minimum of drawing skills, to create the most effective boards you can imagine. Ever wondered why you look where you do on the screen? It's not a coincidence, the director is pointing your attention in very specific directions. Glebas doesn't just tell you how to direct the eye, she explains the why of it - how our brain works and how the director plays with those elements to convince us that what is taking place on screen is real; and not just real but urgent and dramatic. The book covers everything a director needs to know in order to prepare the storyboard for an effective and memorable film. All you have to add is your story! Highly recommended for the following areas of study: Animation, Theatre, Film Studies at the high school, college, and university levels. And it's a must buy for libraries that collect texts on these subjects."--Animation World Network.com
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About the Author
Francis Glebas worked as a story artist for Disney Feature Animation on Aladdin, Lion King, Pocahontas, Hunchback of Notre Dame, Dinosaur, Treasure Planet and Hercules. He also directed Pomp and Circumstance starring Donald Duck in Fantasia 2000 and Piglet's BIG Movie. Francis is also an award-winning independent live action movie maker with almost 40 years' experience. He currently teaches storyboarding at Gnomon School of Visual Effects. Francis also works as a creative consultant, having worked with the Irish Government, Korean Government, General Motors, Los Alamos Labs, Walt Disney Imagineering and other film studios.
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Product details
Paperback: 360 pages
Publisher: Focal Press; 1 edition (October 23, 2008)
Language: English
ISBN-10: 0240810767
ISBN-13: 978-0240810768
Product Dimensions:
10.8 x 0.8 x 8.2 inches
Shipping Weight: 2.7 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
75 customer reviews
Amazon Best Sellers Rank:
#35,571 in Books (See Top 100 in Books)
Note the title is about directing the story, not directing the movie, and the emphasis is on the story.The goal of this book is to help you get your audience "lost in the story" of your movie. It details a lot of professional directing techniques and principles to help aid storytelling. The writing is clear and Francis Glebas even storyboarded a whole short story to serve as an example, in addition to the many examples already provided.Using storyboards as a primary tool, he goes through the various storytelling techniques used in films , like ways to pace/cut scenes, introducing themes and story structure subtly, directing the audience's eyes, creating characters people can related to, etc. Francis Glebas then breaks down these high level concepts into many smaller easy-to-understand points to focus in depth.One particular point to note is the version of "One Thousand and One Arabian Nights" Francis Glebas has storyboarded to provided as an example throughout the book. All the techniques he teaches are used in the storyboard for that story. It ends with cliffhangers in every chapter. The story is absorbing even though it's done in sketches. Goes to show that story is still king.This book is for anyone who wants to direct professional stories. It should be made compulsory reading in film schools. Two enthusiastic thumbs up from me.For more reading, I would recommend Ideas for the Animated Short, which goes even further in depth with storytelling techniques. Bad stories shouldn't have excuses.(More pictures are available on my blog. Just visit my Amazon profile for the link.)
Bought as a gift for a nephew interested in film-making / storytelling, particularly animations. He says he loves it. I was hesitant since he's part of a generation that lives on social media and learns from Youtube but given his enthusiasm I think this was a good buy. Who knows, maybe he will continue to pursue this as career or hobby. Either way, it turned out to be a good present and I'm pleased with the quality of book itself.
I am a science communicator, playwright, and storyteller. My cartooning teacher told me about this book and I will be forever grateful for that suggestion. This book lays out elements, structure, and dynamics of story in a way that is remarkably clear, compelling, and useful. It helped me come to a clearer understanding of why I do what I do and what else I should be doing in all aspects of my work. I have purchased several copies and given them as gifts and will probably buy many more. Thank you, Francis Glebas, for leading the way in thinking about and designing stories. Oh, I loved the illustrations. What a great book to own.
Directing the Story clarify to me simple questions I had about filmmaking... What the directors do? How some one do actually direct and design a film?The author answer that questions clearly and without technical-complicated language. It is important specially if you are an aspiring filmmaker with no previous training. It will help you having a big picture of the art of visual storytelling, to speak to the audience. After reading this book you will see movies differently. Though, as in any art craft, practice is the key but it is better when you have an idea of the path you have to walk.I recommend to reed this book along with two others: the Invisible Ink and The Golden Theme by Brian McDonald.
Really nice book, helps me cause it goes into depth about alot when it comes to storytelling for animation. I feel like I can put what i've read into practice through here and begin my animation studio. Although I have much to learn, this is a great buy.
I really love Glebas's point of view and the informal way he conveys himself in this how-to on directing the story. It's highly relatable and cohesive. It may not be the penultimate book on how to direct and create story but its a good addition to any student of animation or film's library!
There are a myriad of books being written about animation, about story, about how it's all done. There are authors who have made a living being authors - that is, their primary trade is writing books about things. Other authors have dabbled in the film trade, but not enough to make a living at it - and have turned to writing books to supplement their income (their books are good enough, but make the process too philosophical and ethereal, like those fake teachers you see in the movies).This is book is different - and it's very rare. This book is about the craft, in glorious and accurate detail, confirmed with supporting research and example, by a practitioner obviously tired of the many evasive books which claim to know the craft but talk about it in dodgey fashion. This is the real stuff, and I devoured this book in less than 8 days. You will, too.
This book really boils down the art of creating a connection with the audience. How to use story, angles, staging, timing, delayed gratification, but most of all.... STORY. In structural terms, and how-tos that are understandable, how do I "grab" the audience and keep them.I wish I had this book in film school. I'm learning why I enjoy film; I've never been able to codify "why" I love to watch certain films. Why do I love good horror? Why is comedy hard? Why do I love "DAS BOOT" so much?As soon as I read certain sections of this book, it all suddenly crystallized and I knew why some of my stories in the past had failed.Also as an animator, this book has completely reshaped the way I am telling my story.I would love to see a video training series by this author.
This is one of three essential books for putting together a comic. The first basic book: Alan Moore's Writing For Comics. If you still want to do so, then get: Write or Wrong by Dirk Manning. And this is when you really know you are serious TOTALLY: Directing the Story. Dirk Manning is writing a sequel to Write or Wrong that is about how to fund your project in Kickstarter, and as in his first book how to start by getting your work out there in ebook form before print copies, to build your audience as an Independent.
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